Beautiful passages from books.

[Jinx]

I'm reading Love in the Time of Cholera for the first time (despite owning and having seen the movie several times) and I came upon this passage:

Together they had overcome the daily incomprehension, the instantaneous hatred, the reciprocal nastiness and fabulous flashes of glory in the conjugal conspiracy. It was time when they loved each other best, without hurry or excess, when both were most conscious of and grateful for their incredible victories over adversity. Life would still present them with other mortal trials, of course, but that no longer mattered: they were on the other shore.

Share passages from books that you think are beautiful.

[Unbreakable Will]

An exerpt from the short story Byndley, by Patricia A. McKillip;


"I stole it," he said abruptly, for keeping secrets from her seemed pointless, "from the Queen of Faerie. It was something she loved; her husband had his sorcerer make it for her. I took it partly to hurt her, because she stole me out of my world and made me love her and she did not love me, and partly because it was very beautiful, and partly so that I could show it to others, as proof that I had been in the realm of Faerie and found my way back to this world. I took it out of anger and jealousy, wounded pride and arrogance. And out of love, most certainly out of love. I wanted to remember that once I had been in that secret, gorgeous country just beyond imagination, and to possess in this drab world a tiny part of that one." "All that," she said wonderingly.
""I was that young," he sighed. "Such things are so complex then."
Absolutely love that short story and I highly recommend purchasing the anthology that it is published in; Firebirds.

[Bunny]

The Waystone In lay in silence, and it was a silence of three parts.

The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the Inn's sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music.. but no, of course there was no music. In fact there were none of these things, and so the silence remained.

Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint.

The third silence was not an easy thing to notice. if you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight.

The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things.

The Waystone Inn was, just as the third silence was, his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn's ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.

[Miriel]

Omg, I have so many.


“This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields.”

- Jeanette Winterson, Written on the Body


Then Hurin spoke to Turgon, saying: 'Go now, lord, while time is! For in you lives the last hope of the Eldar, and while Gondolin stands Morgoth shall still know fear in his heart.'

But Turgon answered: 'Not long now can Gondolin be hidden; and being discovered it must fall.'

Then Huor spoke and said: 'Yet if it stands but a little while, then out of your house shall come the hope of Elves and Men. This I say to you, lord, with the eyes of death: though we part here for ever, and I shall not look on your white walls again, from you and from me a new star shall arise. Farewell!'

- Tolkien, The Silmarillion


In that last battle were Mithrandir, and the sons of Elrond, and the King of Rohan, and lords of Gondor, and the Heir of Isildur with the Dúnedain of the North. There at the last they looked upon death and defeat, and all their valour was in vain; for Sauron was too strong. Yet in that hour was put to the proof that which Mithrandir had spoken, and help came from the hands of the weak when the Wise faltered. For, as many songs have since sung, it was the Periannath, the Little People, dwellers in hillsides and meadows, that brought them deliverance.

- Tolkein, The Silmarillion


“Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.”

- Margaret Atwood, The Blind Assassin


Has she really not been singing all along? The sound was no more beautiful when her voice was limber and warm. Their eyes clouded over with tears for so many reasons it would be impossible to list them all. They cried for the beauty of the music, certainly, but also for the failure of their plans... All of the love and the longing a body can contain was spun into not more than two and a half minutes of song, and when she came to the highest notes it seemed that all they had been given in their lives and all they had lost came together and made a weight that was almost impossible to bear. When she was finished, the people around her stood in stunned and shivering silence.

- Ann Pachette, Bel Canto


“What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.”
- Yann Martel, Life of Pi


“He was the crazy one who had painted himself black and defeated the world.

She was the book thief without the words.

Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out like rain.”
- Markus Zusak, The Book Thief

[blackmage_nuke]

Longer than a passage but whatever


It was a Cathedral of Hate.
It was the product of a mind that was not merely twisted, but actually
sprained.
It was huge. It was horrific.
It had a Statue in it.
We will come to the Statue in a moment.
The vast, incomprehensibly vast chamber looked as if it had been carved out
of the inside of a mountain, and the reason for this was that that was precisely
what it had been carved out of. It seemed to Arthur to spin sickeningly round
his head as he stood and gaped at it.
It was black.
Where it wasn't black you were inclined to wish that it was, because the colours
with which some of the unspeakable details were picked out ranged horribly
across the whole spectrum of eye-defying colours from Ultra Violent to Infra
Dead, taking in Liver Purple, Loathsome Lilac, Matter Yellow, Burnt hombre
and Gan Green on the way.
The unspeakable details which these colours picked out were gargoyles which
would have put Francis Bacon off his lunch.
The gargoyles all looked inwards from the walls, from the pillars, from the
flying buttresses, from the choir stalls, towards the Statue, to which we will
come in a moment.
And if the gargoyles would have put Francis Bacon off his lunch, then it was
clear from the gargoyles' faces that the Statue would have put them off theirs,
had they been alive to eat it, which they weren't, and had anybody tried to
serve them some, which they wouldn't.
Around the monumental walls were vast engraved stone tablets in memory of
those who had fallen to Arthur Dent.
The names of some of those commemorated were underlined and had asterisks
against them. So, for instance, the name of a cow which had been slaughtered
and of which Arthur Dent had happened to eat a fillet steak would have
the plainest engraving, whereas the name of a fish which Arthur had himself
caught and then decided he didn't like and left on the side of the plate had
a double underlining, three sets of asterisks and a bleeding dagger added as
decoration, just to make the point.
And what was most disturbing about all this, apart from the Statue, to which
we are, by degrees, coming, was the very clear implication that all these people
and creatures were indeed the same person, over and over again.
And it was equally clear that this person was, however unfairly, extremely
upset and annoyed.
In fact it would be fair to say that he had reached a level of annoyance the
like of which had never been seen in the Universe. It was an annoyance of epic
proportions, a burning searing flame of annoyance, an annoyance which now
spanned the whole of time and space in its infinite umbrage.

[Cuchulainn]

Look Spot,
Look And See,
Oh Look!

William S. Gray and Zerna Sharp

[Chris]

Do not pity the dead, Harry. Pity the living, and, above all, those who live without love. By returning, you may ensure that fewer souls are maimed, fewer families are torn apart. If that seems to you a worthy goal, then we say good-bye for the present.”

So many great quotes by Albus. :(

[Parker]

" “Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really.” "

One of about a billion DFW quotes relating to suicide

[I Took the Red Pill]

Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table--it is running among your books and papers. Now you mop it up, clumsily, with your pocket-hankerchief. You then stuff your hankerchief back into your pocket--that is not Byron; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep.

Virginia Woolf, The Waves

[Shorty]

And all becomes clear. Wish I could make you see this brightness. Don't worry. All is well. All is so perfectly, damnably well. I understand now that boundaries between noise and sound are conventions. All boundaries are conventions, waiting to be transcended. One may transcend any convention if only one can first conceive of doing so. In moments like this I can feel your heart beating as clearly as I feel my own and I know that separation is an illusion. My life extends far beyond the limitations of me.
- David Mitchell, Cloud Atlas


Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.
- David Mitchell, Cloud Atlas


In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think it’s impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them, I destroy them.
― Orson Scott Card, Ender's Game


"The story is one that you and I will construct together in your memory. If the story means anything to you at all, then when you remember it afterward, think of it, not as something I created, but rather as something that we made together.”
― Orson Scott Card, Ender's Game


[That wall] might be breached sometime in the future, but for now the only real conversation between them was the roots that had already grown low and deep, under the wall, where they could not be broken.

The most terrible thing, though, was the fear that the wall could never be breached, that in his heart Alai was glad of the separation, and was ready to be Ender's enemy. For now that they could not be together, they must be infinitely apart, and what had been sure and unshakable was now fragile and insubstantial; from the moment we are not together, Alai is a stranger, for he has a life now that will be no part of mine, and that means that when I see him we will not know each other.
― Orson Scott Card, Ender's Game

And, this isn't particularly beautiful, but it is my favorite excerpt of the entire book, and one that I think about frequently.


Ender nodded. It was a lie, of course, that it wouldn’t hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth.
― Orson Scott Card, Ender's Game


A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death.

There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you.

The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?'
They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.'

The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.'

So the woman lives because the community is too corrupt to protect itself from disorder.

Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.'

The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’

As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’

So the woman died because her community was too rigid to endure her deviance.

The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation.

So of course, we killed him.

-San Angelo
Letters to an Incipient Heretic

-Orson Scott Card, Speaker for the Dead


But when it comes to human beings, the only type of cause that matters is final cause, the purpose. What a person had in mind. Once you understand what people really want, you can't hate them anymore. You can fear them, but you can't hate them, because you can always find the same desires in your own heart.
― Orson Scott Card, Speaker for the Dead


A strange thing happened then. The Speaker agreed with her that she had made a mistake that night, and she knew when he said the words that it was true, that his judgment was correct. And yet she felt strangely healed, as if simply saying her mistake were enough to purge some of the pain of it. For the first time, then, she caught a glimpse of what the power of speaking might be. It wasn’t a matter of confession, penance, and absolution, like the priests offered. It was something else entirely. Telling the story of who she was, and then realizing that she was no longer the same person. That she had made a mistake, and the mistake had changed her, and now she would not make the mistake again because she had become someone else, someone less afraid, someone more compassionate.
― Orson Scott Card, Speaker for the Dead


He shook his head. "I hoped. I believed in you. I wanted to help you do what you dreamed of doing. As long as it was something good."

She would not have been Novinha if she hadn't found one more poisonous thing to say. "I see. You are the judge of dreams."

"Ah, I am the judge of dreams, and you are the judge of love. Well, I find you guilty of dreaming good dreams, and sentence you to a lifetime of working and suffering for the sake of your dreams. I only hope that someday you won't declare me innocent of the crime of loving you."
― Orson Scott Card, Speaker for the Dead

There are some from Les Mis that particularly stick out to me, but I'll need to go look them up.

[Jinx]

“All children mythologise their birth. It is a universal trait. You want to know someone? Heart, mind and soul? Ask him to tell you about when he was born. What you get won’t be the truth: it will be a story. And nothing is more telling than a story. ”


“A birth is not really a beginning. Our lives at the start are not really our own but only the continuation of someone else's story.”


“Our lives are so important to us that we tend to think the story of them begins with our birth. First there was nothing, then I was born...Yet that is not so. Human lives are not pieces of string that can be separated out from a knot of others and laid out straight. Families are webs. Impossible to touch one part of it without setting the rest vibrating. Impossible to understand one part without having a sense of the whole."

All three of these come from the The Thirteenth Tale by Dianne Setterfield. This book has some of the most beautiful prose I've ever read, and is one of my favourite stories of all time. I recommend this book to anyone and everyone, especially if you love to read. This book is a love letter to avid readers.

[Shorty]

Some from Les Mis. I had to stop myself or I'd quote the entire goddamn book.


She talked thus, bent double, shaken with sobs, blinded by tears, her neck bare, clenching her hands, coughing with a dry and short cough, stammering very feebly with an agonised voice. Great grief is a divine and terrible radiance which transfigures the wretched. At that moment Fantine had again become beautiful. At certain instants she stopped and tenderly kissed the policeman’s coat. She would have softened a heart of granite; but you cannot soften a heart of wood.
― Victor Hugo, Les Misérables


He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?
One kiss, and that was all.

Both trembled, and they looked at each other in the darkness with brilliant eyes.

They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.

She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.

From time to time Marius’ knee touched Cosette’s. A touch that thrilled.
At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.

Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.

When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"

My name is Marius," he said. "And yours?"
My name is Cosette.”
― Victor Hugo, Les Misérables


"Promise to give me a kiss on my brow when I am dead. --I shall feel it."

She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:--

"And by the way, Monsieur Marius, I believe that I was a little bit in love with you.”
― Victor Hugo, Les Misérables


To travel is to be born and to die at every instant; perhaps, in the vaguest region of his mind, he did make comparisons between the shifting horizon and our human existence: all the things of life are perpetually fleeing before us; the dark and bright intervals are intermingled; after a dazzling moment, an eclipse; we look, we hasten, we stretch out our hands to grasp what is passing; each event is a turn in the road, and, all at once, we are old; we feel a shock; all is black; we distinguish an obscure door; the gloomy horse of life, which has been drawing us halts, and we see a veiled and unknown person unharnessing amid the shadows.
― Victor Hugo, Les Misérables


What was more needed by this old man who divided the leisure hours of his life, where he had so little leisure, between gardening in the daytime, and contemplation at night? Was not this narrow enclosure, with the sky for a background, enough to enable him to adore God in his most beautiful as well as in his most sublime works? Indeed, is not that all, and what more can be desired? A little garden to walk, and immensity to reflect upon. At his feet something to cultivate and gather; above his head something to study and meditate upon: a few flowers on the earth, and all the stars in the sky.
― Victor Hugo, Les Misérables


How do we know that the creation of worlds is not determined by the fall of grains of sand? Who knows the reciprocal ebb and flow of the infinitely great and the infinitely little, the reverberations of causes in the precipices of being, and the avalanches of creation? The tiniest worm is of importance; the great is little, the little is great; everything is balanced in necessity; alarming vision for the mind. There are marvelous relations between beings and things; in that inexhaustible whole, from the sun to the grub, nothing despise the other; all have need of each other. The light does not bear away terrestrial perfumes into the azure depths, without knowing what it is doing; the night distributes stellar essences to the sleeping flowers. All birds that fly have round their the thread of the infinite. Germination is complicated with the bursting forth of a meteor and with the peck of a swallow cracking its egg, and it places on one level the birth of an earthworm and the advent of Socrates. Where telescopes end, the microscopes begin. Which of the two possesses the larger field of vision? Choose. A bit of mould is a pleiad of flowers; a nebula is an ant hill of stars.
― Victor Hugo, Les Misérables


Let us remark by the way, that to be blind and to be loved, is, in fact, one of the most strangely exquisite forms of happiness upon this earth, where nothing is complete. To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves, "Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,—few felicities equal this. The supreme happiness of life consists in the conviction that one is loved; loved for one's own sake—let us say rather, loved in spite of one's self; this conviction the blind man possesses. To be served in distress is to be caressed. Does he lack anything? No. One does not lose the sight when one has love. And what love! A love wholly constituted of virtue! There is no blindness where there is certainty. Soul seeks soul, gropingly, and finds it. And this soul, found and tested, is a woman. A hand sustains you; it is hers: a mouth lightly touches your brow; it is her mouth: you hear a breath very near you; it is hers. To have everything of her, from her worship to her pity, never to be left, to have that sweet weakness aiding you, to lean upon that immovable reed, to touch Providence with one's hands, and to be able to take it in one's arms,—God made tangible,—what bliss! The heart, that obscure, celestial flower, undergoes a mysterious blossoming. One would not exchange that shadow for all brightness! The angel soul is there, uninterruptedly there; if she departs, it is but to return again; she vanishes like a dream, and reappears like reality. One feels warmth approaching, and behold! she is there. One overflows with serenity, with gayety, with ecstasy; one is a radiance amid the night. And there are a thousand little cares. Nothings, which are enormous in that void. The most ineffable accents of the feminine voice employed to lull you, and supplying the vanished universe to you. One is caressed with the soul. One sees nothing, but one feels that one is adored. It is a paradise of shadows.”
― Victor Hugo, Les Misérables

[Jinx]

All the same, some of it must go in somewhere. It must go in, because by the time a moment like that comes a long, there's a part of you that's been waiting. Maybe from as early as when you're five or six, there's been a whisper at the back of your head, saying: "One day, maybe not so long form now, you'll get to know how it feels." So you're waiting, even if you don't quite know it, waiting for the moment when you realize that you really are different to them; that there are people out there, like Madame, who don't hate you or wish you any harm, but who nevertheless shudder at the very thought of you--of how you were brought into this world and why--and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it's a cold moment. It's like walking past a mirror you've walked past every day of your life, and suddenly it shows you something else, something troubling and strange.


-Kazuo Ishiguro, Never Let Me Go

[noxious.sunshine]

From the same book. By Dr. Seuss.



You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You're on your own. And you know what you know. And YOU are the one who'll decide where to go...”



“You'll get mixed up, of course, as you already know. You'll get mixed up with many strange birds as you go. So be sure when you step. Step with care and great tact and remember that Life's a Great Balancing Act. Just never forget to be dexterous and deft. And never mix up your right foot with your left.”





“When you're in a Slump,
you're not in for much fun.
Un-slumping yourself
is not easily done.”





“And will you succeed?
Yes! You will, indeed!
(98 and 3/4 percent guaranteed.)

KID, YOU'LL MOVE MOUNTAINS!


Oh The Places You'll Go. ^_^