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    Honestly, I've never been bothered by all that too much. Unlike FFIII DS, the Tactics Ogre remake is extremely fun to me and I like a lot of the choices made, whereas the original doesn't really sound like something I would enjoy. Of course, never having played it, I can't confirm that 100%, but from the sound of it it just sounds tedious? Idk. What I really appreciate about the PSP remake, though, are the production values. Like holy hell, the game is incredibly pretty with fantastic new artwork by the one and only Akihiko Yoshida, and then there's the incredibly well-made music rearrangements from Hitorhi Sakimoto. They've really gone out of their way to make this remake feel like a completely new, modern (at the time) game.

    Btw, last night I had a dream and you were in it. Basically you came to visit and it was the middle of the night and I'd completely forgotten that you were coming that late so I had to get up and run around the house in a frenzy, getting everything ready.
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    You're being very tsundere about this whole thing
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    Interesting. Though I must say I distrust cloud gaming on a fundamental level.
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    I never know when exactly your birthday is because you're a secretive little bastard, so I'll just wish you a happy birthday now Hope the next year in your life is even better than the last one!

    On a completely unrelated note (as I kinda need to get away from thinking about writing for a bit, because my mind has gotten obsessive about putting my own damn self down again), I'm really looking forward to Romancing SaGa 3. Don't know if I'll be able to play it righ away, since I don't exactly have money to spare, but it's a definite buy at some point, for me. Now, if I could only decide who to play as. I've narrowed down the choice to Katrina and Khalid, since they're two of the hottest protagonists available, it looks like, the problem is which should I pick? I know Katrina is not playable at all if you don't start with her, so that seems like a no-brainer, but then I heard Khalid can be hard to recruit/is expensive when hue's not your protagonist. Hmm...
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    Tell me about it. Though I feel the theme can develop with the story as you go along, I'm also struggling with a hook. It doesn't help that most of my ideas are basically "ok so this starts out like regular X BUT ACTUALLY" and that's really hard to sell without spilling the beans from the getgo. Still, yeash, it's important that you write what you feel is appropriate for you now. I started with what is going to be the second or third story in the collection simply because it's the one I wanted to write right now. That said, I feel it's probably the most depressing one in the book, and that's saying something considering my last year's halloween story is set to be in this collection
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    I think it's normal that once you start actually working on a project, it loses a lot of its lustre. Like, I just started the NaNo thing and was super excited about my story that is high fantasy on the surface but it's actually cosmic horror, but now that I'm writing it, it's like pulling teeth again. You really gotta push through it if you want to finish something.
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    That reminds me I need to do that myself. I also did the Dragovian chapter on the 3DS, but never got around to rebattling the final boss to see the golden ending. Will make an attempt at some point, that's for sure.

    I've yet to sit down to NaNo, but I will try to do that today. I'm gonna work on my short story collection so that I have some stuff that I can start sending out to contest while the whole book gets rejected multiple times. Good to hear that you're excited aboyut a new project. The stuff where you've got nothing planned is usually the most rewarding once it's done.
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    Even then, I don't think DQVI is that bittersweet? I feel the only really sad thing about that ending is Ahslynn disappearing, with the world pretty much being left in a much better state aside from that
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    I mean, that's probably one of the factors. When it's a big budget thing, you need to think economically and make cuts in places that would make the most sense from a marketing standpoint (and not necessarily a narrative standpoint). It probably explains why indie titles don't suffer this problem, as they're usually already made from passion using shoestring budgets, so ironically, they have more freedom in that regard. Still, I wonder what it's like for more mainstream narrative-driven games, where the narrative is the selling point. And I don't mean RPGs, since not everyone plays those for the narrative - I mean more stuff along the lines of Life is Strange or Tellatele games or something (never played those so I don't know).
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    Well, aside from the examples you mentioned, I feel chapter 4 (of 5) in the first Witcher game is its strongest, though that's a weird case, considering the fact that it is kind of out of place compared to the rest of the game, counting as more of an Arcadian Interlude, but it's woven in so great and has such an incredible feel to it that it really kind of makes the game?

    Also, now that I think about it, it seems that the Persona games are all pretty good about having well-fleshed out later halves, and that goes for both the OG Persona and new Persona games. In Innocent Sin you do get the slightly overlong Zodiac dungeons and the final dungeon to P1 is just ridiculous, but narratively speaking, they still feel strong and fleshed out. Of course, in the case of Persona 3, the game only really goes from great to sublime in its back half, so that's definitely an example of that, though I guess the opening is pretty gripping as well.

    What's interesting is that this may actually be something that modern games have the edge over older games in, as I feel there's much more room for creating games based on a concept that's already been fleshed out and paying equal attention to all the important parts, rather than just the beginning and the end. But then again, even a game as incredibly well-designed as the Witcher 3 does kind of rely too much on retreading the story of the books at its back half, so we're back to square one in that regard. It's interesting that of the two expansion packs, the shorter (and much more narratively fulfilling like omg I can't stress this one enough) actually averts this by being impeccably paced throughout, while the second (the clearly much more rushed one but with an incredible map to explore and tons of glorious fanservice for longtime fans) really does feel like it rushes through its back half.

    I think we may have uncovered a curse.
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Recent Entries

My Top 100's Lost but Not Forgotten: Suikoden IV Part 2 ~ Suikoden Tactics

by Wolf Kanno on 06-17-2019 at 07:25 AM

So in my last blog, I talked about the black sheep numbered entry of the Suikoden franchise, Suikoden IV. Today, we're going to look at Rhapsodia, better known as Suikoden Tactics in the West. Tactics is a gaiden title that serves as both prequel/sequel side story to Suikoden IV. What makes it really standout is that the game is no longer a turn-based RPG about collecting 108 heroes, but instead a Tactical Turn Based RPG a la Final Fantasy Tactics, Fire

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Updated 08-31-2019 at 04:57 AM by Wolf Kanno

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Video Games

My Top 100"s Lost but Not Forgotten: Suikoden IV ~ Part 1

by Wolf Kanno on 04-29-2019 at 07:53 AM
List, blah blah. Didn't make it, blah blah.
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I feel I have a theme going here. Like the BoF1 entry, anyone who took a quick glance of my list will know I'm a pretty big Suikoden fan, you'll also notice I snubbed one of the main entries and most of the spin-off/gaiden games. I'll say right now, that I have to actually play Suikogaiden due to lacking the proper emulator, which is why

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Updated 04-29-2019 at 08:11 AM by Wolf Kanno

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Video Games

My Top 100's Lost but Not Forgotten: Breath of Fire

by Wolf Kanno on 04-14-2019 at 11:23 PM
Blah blah blah, made a list, blah blah blah, this is for games that didn't make it.

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Anyone who simply glances over my list will notice I have a strong affiliation with Capcom's classic and underrated RPG series Breath of Fire. They will also notice I left one entry out of the list, and while my BoFII entry hints as to some of the reasons, I figured I would lay it out here

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Video Games

My Top 100's Lost but not Forgotten: Dragon Quest VII

by Wolf Kanno on 10-26-2018 at 06:42 AM

I feel like the year 2001 was an odd year in gaming. One of the first time where you really felt like the end of an era and the beginning of a new one was coming. Sony was gearing up to release the successor to the smash hit PlayStation and if you looked around the gaming scene, it seemed like every company was jumping ship to get on board what the PS2 could do. Square had released their PS1 swan song FFIX even though they would still support the PS1 with

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Video Games

My Top 100's Lost but Not Forgotten: Arc the Lad II

by Wolf Kanno on 03-27-2018 at 11:53 PM
You know the drill by now...

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One of my all time favorite publishers in the 90s for video games was Working Designs. It was a company that actually tried to get a lot of cool JRPGs released in the West long before the actual JRPG boom in the last years of the decade. I've already spoken about their most high profile title they ever worked on, Lunar: The Silver Star Story,

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