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    I know the feel. Though I've been pretty good at playing just Ys Seven for a while now. So here's hoping I can limit my gaming habit to one game at a time.

    Finished season 1 of Aggretsuko, btw. It came at a pretty apt moment in my life actually
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    Oof. Good luck with that then. I've personally completely given up on that game at this point, what with the story being spread so ridiculously thin. I did enjoy the game during the times that I was actually in that zone, so it's not that I completely don't understand where you're coming from.

    Since my professional life is currently in absolute chaos, I might actually have some more time to write now, so I'm hoping I can actually set some goals and follow through with them for once!
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    The video was sent was pretty cool! I loved the enery in the song and the singer has this neat indie vibe about her. I'll probably give the Wild Arms OST a shot sometime in the near future as well, since you're recommending it so, though I do sometimes worry if listening to a soundtrack in isolation will really feel as rewarding as hearing it after knowing the context. Like, I have the Devilman Crybaby OST on loop around now since I'm still in the middle of emotionally digesting the show, but I can't really be sure if I'd like it so much without watching it. I definitely do enjoy the contrasts between the tracks, which are very fitting for this track in particular, since you get these strong, energetic, even relentless tracks like this that honestly make me feel they'd be right at home on the SMT IV soundtrack:



    and then there are tender pieces like this:



    And I know the feel, speaking of composers disappearing. I'm still very sad Yuki Kajiura hasn't made a game soundtrack since. I do wonder if the gender norms in Japan have something to do with this, since women like Soraya Saga, whom we've discussed recently, seem to disappear after a certain time. Like, is it expected that they won't continue their careers after a certain point while men keep working until they retire?

    But yeah, moving away from gender for a while, another composer I've had this experience with was Revo. I know he has his fantasy band and everything and has been doing some spectacular work on the Attack on Titan openings, but I was so disappointed that Bravely Default was his only game soundtrack to date. Luckily, it looks like he;s the sole composer for Bravely Default II now. I hope he can branch out in this field because he's got something special going on.
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    Yeah it was pretty surprising for me to see that Mitsuda pretty much quoted a minimalist work in Xenosaga’s final battle. Game OSTs do lean on classicism and romantism for a lot of their inspirations, so it’s very nice to see some contemporary art movements in there too. Mitsuda is even more musically literate than I expected.

    Thanks for the musical recommendation. I was wondering what brought the avatar change I’ll check it out later today!
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    Btw, since we were talking about Xenosaga music a while back - does this sound familiar by any chance?

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    Never listened to it, honestly. I’ve never really played a Wild Arms game but I’ve heard some good things. Might check it out one day. Meanwhile, I’ve been listening to the Devilman Crybaby soundtrack, and it has some absolute gems too.

    Speaking of, I’ve finished the show and it was pretty ducking phenomenal. I’ve been in tears for the last three episodes, which is something media hasn’t done to me in a long while. A lot of things there struck really close to home, honestly, and I feel this adaptation does a terrific job at making this not just another cool, watchable version of the source material - but something that has actual cultural relevance at this point in time and has the potential, in my opinion, to be a defining voice in its medium.

    Much like you, I don’t have a Netflix account active at all times, but I’m very happy I got in again starting last month. I plan to watch Aggretsuko, as per your recommendation, but with Devilman Crybaby and new seasons of Anne with an E, this had just been an incredible investment, as I feel enriched. And of course, I can’t leave out the very reason I renewed my account - the Witcher! What a fun, engrossing adaptation! As a big fan of both the books and the games, I’m incredibly happy with this show so far and wholeheartedly recommend it to anyone I can
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    Hello homie
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    So I’ve actually started watching Devilman Crybaby, since I reactivated my Netflix account to watch the Witcher. Binged seven of the ten episodes. It’s really good. I’m getting serious SMT vibes, along with a lot of it just feeling very arthouse in some respects. I also like how it has commentary on our current society
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    So I’ve beaten Torment: Tides of Numenera. It was an interesting, if flawed little titled. I think the biggest issues is that you can tell it’s really trying to be Torment, but it doesn’t come out quite as naturally as with Planescape, so the final game ends up pretty overwrought and dense, and not really in a good way. The story and setting are still great, though. It’s not everyday that you see an RPG grapple with the topic of the responsibilities of parenting through the subject of body-shifting immortality.

    And now I’ve started Ys Seven, and it’s been pretty cool so far. We’ll see how I like it, but I’ve already also got I and II and am ready to dive into this series - along with the Trails series, as I’ve been gifted Trails in the Sky. I do plan to replay games less this year and focus on new experiences in that regard - though my focus is still going to be writing. My wife got me this cute little notebook that I hope will help me organize my thoughts
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    Yeah, I do enjoy the Xenogears references in the OST myself. Also just looking at the track titles, it feels to me that the soundtrack covered more ground than just episode I - perhaps the original draft of episode I, the one that ended up being the only three games we got? But yeah, it’s definitely a good OST that was underused (though why he wrote only two battle themes is something I’ll never understand).

    I notice that a lot of the times whenever a new composer steps in they will just ditch all the old themes in favor of their own - this is a big gripe I have with Hamauzu, since when you look at Dirge if Cerberus, FFXIII, and his SaGa contributions, they’re all completely disconnected from the rest of their respective series in terms of music (though how much that’s his creative decision and how much a given director’s is something I’m ignorant on, admittedly, so it might not actually be his fault). I did like how Kajiura implemented the Song of Nephilim into the relevant tracks, though!
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Recent Entries

My Top 100's Lost but Not Forgotten: Xenosaga Episode III: Also Sprach Zarathustra

by Wolf Kanno on 12-30-2019 at 10:56 PM
Top 100 List Blah blah blahÖ. I ended up re-writing this entry because the original was a little more bitter and more like just a genuine rant than a review. With that said, a little backstory is in order.
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Continuing my trend of snubbed entries in franchises, we now come back to a series that was very near and dear to me. At this point in time, the story of

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Video Games

My Top 100's Lost but Not Forgotten: Suikoden IV Part 2 ~ Suikoden Tactics

by Wolf Kanno on 06-17-2019 at 07:25 AM

So in my last blog, I talked about the black sheep numbered entry of the Suikoden franchise, Suikoden IV. Today, we're going to look at Rhapsodia, better known as Suikoden Tactics in the West. Tactics is a gaiden title that serves as both prequel/sequel side story to Suikoden IV. What makes it really standout is that the game is no longer a turn-based RPG about collecting 108 heroes, but instead a Tactical Turn Based RPG a la Final Fantasy Tactics, Fire

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Updated 08-31-2019 at 04:57 AM by Wolf Kanno

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My Top 100"s Lost but Not Forgotten: Suikoden IV ~ Part 1

by Wolf Kanno on 04-29-2019 at 07:53 AM
List, blah blah. Didn't make it, blah blah.
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I feel I have a theme going here. Like the BoF1 entry, anyone who took a quick glance of my list will know I'm a pretty big Suikoden fan, you'll also notice I snubbed one of the main entries and most of the spin-off/gaiden games. I'll say right now, that I have to actually play Suikogaiden due to lacking the proper emulator, which is why

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Updated 04-29-2019 at 08:11 AM by Wolf Kanno

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My Top 100's Lost but Not Forgotten: Breath of Fire

by Wolf Kanno on 04-14-2019 at 11:23 PM
Blah blah blah, made a list, blah blah blah, this is for games that didn't make it.

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Anyone who simply glances over my list will notice I have a strong affiliation with Capcom's classic and underrated RPG series Breath of Fire. They will also notice I left one entry out of the list, and while my BoFII entry hints as to some of the reasons, I figured I would lay it out here

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My Top 100's Lost but not Forgotten: Dragon Quest VII

by Wolf Kanno on 10-26-2018 at 06:42 AM

I feel like the year 2001 was an odd year in gaming. One of the first time where you really felt like the end of an era and the beginning of a new one was coming. Sony was gearing up to release the successor to the smash hit PlayStation and if you looked around the gaming scene, it seemed like every company was jumping ship to get on board what the PS2 could do. Square had released their PS1 swan song FFIX even though they would still support the PS1 with

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