I agree that you didn't say that art didn't make a statement. I think however that I would like to argue that the toilet is more than a statement. My stance is that the "Fountain" has the potential to be a piece of Art for the following reasons:
1. The power of the Artist to make it art...
(and not everyone is an artist; Duchamp was a well known 'professional' artist well received for his amazing paintings so he didn't just do this out of the blue. He was respected.)
2. The power of the insitution...
(The gallery and institutional setting transforms this specific article into an object of contemplation that is inseparable from the idea.)
3. The power of semiotics...
(The object and the idea are inseperable. Think of this specifc urinal (dated and titled) and you think of Duchamp and the context of this urinal) (This is also the idea I was trying to explore in the previous post).
4. The power of aesthetics...
(Do you preffer smooth and curvey? or jagged and rough? Mass-produced objects were idealy designed to attract human interaction... similar to art (though art also has the power to repulse)...where as mass-produced obhects must always look good for consumption purposes.
5. The power of function...
Communists had expressed the necessity of art to be useful... So it seems ideal to create a functional object that is also beautiful and artful.
6. The power of oppinion...
Even if I don't think it means art that doesn't mean someone else doesn't. Since art is all and always arguable I can only admit that objects are both art and not art simultaneously. Art only exists in the mind so must have multiple truths. (If Art is art sometimes but not all the time does that still make it art?)
7. The power of market...
As soon as someone is willing to pay for it under the proposed conditions it becomes so. Money buys art; no... money makes art. A market makes art. That urinal... that specific urinal (check out an essay on the aura of objects ... Baudilliard I think) is endowed with value.
I think in the end the problems and issues in art at that time inspired Duchamp to make specific descisions to pick this object. The society around him inspired him to preform in this manner.
Allow me to make a comparison to a field you're familiar with. How inspired can a photograph be in comparison? With a photograph you have the ability to change the lighting and how the image looks but you can't change the object (well you can but allow me to refer to automatic/instant photography; still life), it already existed you're only clicking a button. There's no manual involvement(hands on creation making the actual image; the camera made the image), there's not even a signature on it. Similarily Duchamp is only manipulating the object as necessary and within the boundaries provided.
PS > Miriel
I understand what you mean about your prof. I find the big problem right now with a lot of educational staff is that they are they came from a generation defined by style. We still are. Artists have a tendency to focus on one problem or one style... usually are unflexible. They master one medium (possibly dable in others) but tend to be either a painter, a sculpture... then they're either an expressionist... or a conceptualists... so the students are suffocated by a narrow oppinion.
I'm sure you make beautiful photographs.