Yeah, I've listened to the Vision of Escaflowne OSTs (both the series and the film) long before I even heard of Genesis of Aquarion, but in any case her work in VoE is quite good whenever she brings orchestra and choir in the mix. I've never really cared that much of her fluffier, comedic stuff or synth experimentations, but her lush orchestration is quite good whenever she chooses to take that route.
It's, however, rather unfortunate how some pieces from at least Genesis of Aquarion are lifted off from Russian composers without giving proper credit to where it's due, but at least she tries to disguise them and adapt them so that they're not as blatant ripoffs as one might think. Nevertheless, I really connected with the music of Genesis of Aquarion (both its songs and score) in an emotional level, and the same can be said about Wolf's Rain which is absolutely marvellous in the way it shows deepest emotions through music and manages to tell a story.![]()








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