Artemisia/Ultimecia has symbols of Lions on her castle. Her protectors include Grievers and Iguions which both represent the Lion symbolism.
Just like Squall's and Rinoa interests in the Lion symbolism for bravery and love. Look here and here for more detail.
The Japanese name of Ultimecia is Arutimishia. Very similar to Artemisia.
If you have ever heard of Artemisia before, the link to her backstory is here
You'll realise that it will make sense as to why Ultimecia's Castle exists and for what reason, and why was Ultimecia crazy.
These are important elements within the game, yet have never been explained.
I tried to find more paintings of the painter, Francesco Furini, who painted Artemisia. To see if there's any more connection left. He lived in Florence. That's when I realised that Florence was the same city as where Leonardo da Vinci was born, I then looked for his paintings instead.
Here's what I found... a 'Bust of a warrior' painting by Leonardo da Vinci:
Edea's head:
The heads look very similar. Not convinced? Look harder!
Not to mention the Lion on his armour. What could this mean? It could mean that Edea`s helmet and the Lions are connected.
In other words, Ultimecia made Edea look that way (the helmet) and her clothes. There's evidence to support this within the game: when Edea got rid of Ultimecia, she no longer holds the Helmet; she's back to Matron herself (long black hair and freer clothes). Matron and Edea looked very different. This proves that not only can Ultimecia control the consciousness of a being, but she can also create something physically.
But there's only one flaw... why didn't Ultimecia make Rinoa look that way like she did to Matron? Unless... *censored word* :rolleyes2:rolleyes2
More information about the painting is here.
And look at one of the quotes in the link:
Which is pretty close to the date of Raine`s date on her Tombstone. Here's the link by FE.The drawing shows Leonardo studying the art of his teacher, Andrea Verrocchio. Giorgio Vasari's biography of Verrocchio in his Lives of the Artists (1550 and 1568) mentions two metal reliefs with profile portraits of Alexander the Great, leader of the Greeks, and Darius, the Persian king.
This is very likely the year of VIII!
Interesting ...